The Universality of a Good Plot
Korean masked dance and drama revolves around four dominant themes, or plots.
The first is mockery of the avarice, stupidity, and general unwholesomeness of the aristocracy.
The second is the love-triangle of a husband, a wife, and a concubine.
The third is the depraved and corrupt monk, like Choegwari.
The fourth is a general good versus evil story, with virtue triumphing in the end. In some cases, this fourth category describes plots from each of the first three categories, as well.
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